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Edward M. Newman (March 16, 1870 – April 16, 1953) was a film producer of many documentary film shorts released by Warner Brothers and edited at Vitaphone studios in Brooklyn, New York in the 1930s. These were mostly of the travelogue genre. ==Overview== Around 1930, the major studios in Hollywood discovered that travel shorts running under 11 minutes were among the cheapest to produce as "filler" on the theatrical program. The number of "faraway adventures" made for eager Depression Era audiences, who seldom traveled far from home, rapidly increased at this time. (Films of this type had been around for decades.) Only one cameraman was needed, sometimes with a few assistants, along with one editor, sometimes a studio orchestra and usually a narrator. Much of the material could be shot silent and dubbed over later, although Fox Movietone News included on-location sound recordings with many of their "Magic Carpet" series. Compared to the competition (which included Fox, Amadee J. Van Beuren "Vagabond Adventures" for RKO Pictures, Universal Pictures "Going Places", Columbia Pictures "Rambling Reporter", Educational Pictures "Treasure Chest" and other series and Metro-Goldwyn-Mayer Burton Holmes and James A. Fitzpatrick "Traveltalks"), the Warner-Newman travelogues were well-produced and often featured locales not covered in other series. One additional novelty was that the series name changed with each "season" (lasting September through August/September of the next year), spotlighting a specific theme such as U.S. history (as seen by famous sites) and "musical journeys". This enabled the theater exhibitors to offer attendees something different and new each year. Ira Genet collaborated as director and writer with many of these. Key editor was Bert Frank, who also worked on many other Vitaphone shorts, including some documentaries that assembled old silent film footage. Leo Donnelly was a key narrator in the earlier shorts, also handling Ripley’s Believe It or Not for Warner-Vitaphone. When rival FitzPatrick with MGM started shooting in full Technicolor, Warner was already spending a fortune on their other two-reel musical and comedy shorts in color. As a result of this (along with various technical difficulties), the Newman series continued to be released in black and white until 1936, then opted for the more economical Cinecolor. Trade reviews tended to unfavorably compare them with the MGM Traveltalks, which boasted the full rainbow effect. Yet they continued to be praised for their expert commentary and interesting subject matter. In 1938, the so-called "Colortours" were regrouped as the Vitaphone Color Parade, moving on to multi-subject topics backed by Mechanix Illustrated. 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「E. M. Newman Travelogues」の詳細全文を読む スポンサード リンク
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